Ua solo 610 gearslutz electronic music instruments
InBill Putnam Jr. Login You may login with either your assigned username or your e-mail address. The password field is case sensitive. The Avalon is an impressive all-discrete Class-A solid-state preamp, while the SPL is a hybrid, incorporating a switchable tube stage to add that special thermionic character when required. The Solo has identical facilities but uses illuminated blue push buttons.
Hey all, I'm thinking of getting a Universal Audio Solo preamp second hand. Electronic Music Instruments and Electronic Music Production UA They are friendly and deal with questions about second hand UA gear.
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Given that the majority of the recording work I do involves mostly classical music, I generally favour accurate, transparent and characterless preamps, and given the choice I would probably opt for the Solo as the closest to that ideal for me.
My final go-to plug-in is the Precision De-Esserwhich is especially valuable in preparing master audio for vinyl releases. Incredible records were made there, and with not much more than those three devices. Which is best, tube or solid state? On Sale Precision De-Esser.
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Vocals, guitars, drums, bass, piano — it does everything. Second is the SPL Vitalizer. The Blueface is aggressive and great for heavily tweaking drums and vocals, while the classic Blackface is perfect for almost any application.
You can't beat Neve EQ and a Compressor on drums and guitars. If the format suits your needs, and the budget allows, these are both worthwhile additions to your shortlist.
The Solo and Solo are a pair of high-quality, no-frills preamps — one preamp to take a 'sniff' of a guitar signal en route to the guitar amp, for example.
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With the Twin‑finityUniversal Audio have attempted to satisfy both camps by I know there are users out there who would want it to blend the Solo and. Eventually the tube path breaks up almost like a guitar amp, but without the.
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That's something I've been able to explore more using Universal Audio gear and one part electronic dance music production, and then the rest of it is basically.
Mentioned UA Gear. While both Solo models are able to provide a range of sonic colours, the two units also have a fairly distinct 'signature' character of their own.
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Previous article Next article. The Solo 's IEC inlet includes a fuse-holder-cum-voltage-selector catering for or V operation, while the model has a switched-mode power supply that can accommodate any mains voltage from 90 to V.
My next favorite is the dbx Compressor. In keeping with its vintage styling, the features a pair of metal toggle switches associated with the output XLR, which provide a ground lift and adjust the output level between mic and line settings.
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The switchable input impedance affects both mic and DI inputs. I use those plug-ins all the time. Second is the SPL Vitalizer. Previous article Next article. Buy PDF version. All connections other than the instrument input jack are on the rear panel, and all the switched functions are handled by small — but not quite 'miniature' — toggles.
If you were stuck on a desert island with your recording studio, what UAD.
I'm able to easily create and automate classic dub-style feedback on guitar and.
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Plugging an electric guitar into it and it is Chic straight up. . I couldn't decide whether to get the Universal Audio SOLO/ (tube), or the SOLO/ (solid state). Welcome to our weekly Gear Recommendation Thread where you can ask r/audioengineering for UA solo or warm audio. level 2.
The Neve EQ is great for vocals and acoustic guitars.
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You can't beat Neve EQ and a Compressor on drums and guitars. The two units form the Solo series, and are called the Solo and Solorespectively. When I switched to digital, I initially had problems finding plug-ins that gave me what I was used to hearing in the analog world.
Universal Audio Solo &
Crunchy and delicious. The Precision and preamps feature a switch labelled 'Shape' which is absent from the Solo
Ua solo 610 gearslutz electronic music instruments
The password field is case sensitive. The unique aspect of these preamps is really their form factor — they are compact, portable, single-channel units, with a refined feature set offering just the essentials.
In both cases, the left-hand knob controls the input gain, while the right-hand knob sets the output level, and both are scaled arbitrarily from 0 to Previous article Next article. In keeping with its vintage styling, the features a pair of metal toggle switches associated with the output XLR, which provide a ground lift and adjust the output level between mic and line settings.